Vue esprit 20162/28/2024 ![]() Do not translate text that appears unreliable or low-quality.Consider adding a topic to this template: there are already 8,921 articles in the main category, and specifying |topic= will aid in categorization.Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.The Protagonists is a collection of translations and newly commissioned texts edited by François Aubart in parallel with two projects: the lecture cycle Laissez-vous séduire par le sex appeal de l’inorganique, from Septemto February 25, 2016, at Passerelle-Centre d’art contemporain in Brest and the exhibition De toi à la surface, from January 21 to April 10, 2016, at le plateau – frac île-de-france à Paris. Vue de l’exposition De toi à la surface, frac île-de-france, le plateau, Paris, 2016.He teaches at the art school of Lyon and is the co-founder of the review ∆⅄⚙ and of the editorial project future. Recently he organised the exhibitions L’appropriationniste (Contre et avec) and Joe Scanlan, Classism at Villa du Parc (Annemasse), L’écho des précédents at Cneai (Chatou), On ne connaît les chiffres que d’un côté du plan in Art3 (Valence), An Ever Changing Meaning at the Walter Phillips Gallery (Banff) and Profonde surface at Shanaynay (Paris). Some of his texts were published in reviews such as May, Flash Art, Art Press, Art 21, 2.0.1, 02, 04. Late opening until 9pm, every first Wednesday of the monthįrançois Aubart is an art critic and an independent curator. With : Jean-Philippe Antoine, Géraldine Gourbe and Benjamin Seror. Special guests unveil their vision of the exhibition. These works can be seen as just so many moments in which our feelings harmonise with our environment in a way that is both irrational and unexpected. This is where an entirely new relationship is built, where our emotions give objects their evocative power. The importance lies in the ‘and’, in the overlapping. ![]() They all present objects that are easily recognisable for what they are, and which also evoke a narration or feelings. Thus we are used to objects fulfilling functions other than what their original design intended – it is this observation that brought the artists of this exhibition together. ![]() On occasion, we notice that they are endowed with a kind of autonomy, with an existence of their own (Camille Blatrix), or are driven by feelings (Anouchka Oler). We invest them with our intuitions and emotions, sometimes to the point where subjects and objects seem indivisible (Judith Hopf) or incomprehensible one without the other (Shelly Nadashi). In short, the spiritual complement that we give objects belongs to us alone. Whoever is able to perceive these will recognise the portrait of their owner (Christian Boltanski) or the contradictory desires that haunt such common items (Simon Dybbroe Møller). ![]() One could call this « l’esprit de l’étagère » (the shelf wit)– unlike l’esprit de l’escalier (the staircase wit), one does not think of a reply too late but instead finds personal qualities in objects that are physically devoid of them. The way we understand this story depends on our capacity to interpret the accessories as we would pieces of evidence or items from a collection. The stage on which they perform (Barbara Bloom) or the effects that occur when they appear (James Welling) can also literally give them a part to play and a story to tell. In any case, the boundaries between these categories become porous as soon as the accessories replace the actors. They are interpreted as elements of a story tinged with the way they were used (Jean-Pascal Flavien), as a linguistic syntax (Karl Larsson), or as a magic trick (Stuart Sherman). Thus both a scene and a narration are established, based on elements placed one after another, one on top of each other, one behind the other. The prop master places the objects essential to the story on the set where it will unfold, but must the story necessarily be told? Props aim at making up an environment and at creating the conditions for the action, in the absence of any actor. With : Camille BLATRIX, Barbara BLOOM, Christian BOLTANSKI, Simon DYBBROE MØLLER, Jean-Pascal FLAVIEN, Judith HOPF, Karl LARSSON, Shelly NADASHI, Anouchka OLER, Stuart SHERMAN, James WELLING. Opening on Wednesday 20 january, from 6 to 9pm.
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